Day of Design
← All workSIMON Studio · 2018

A camera
inside the name.

Logo designStudio · vector redrawn 2026

The SIMON Studio mark · vector redrawn in 2026 from the 2018 sampler bitmap

00The project

Client
SIMON Studio
Year
2018 or earlier
Source
Day of Design logo sampler, October 2018

SIMON Studio’s logo sits in our 2018 logo sampler. It hides a camera in the name: the O is a lens, and two rounded bars above and below turn the middle of the word into a camera body. Every other letter is a fine single line, so the lens carries all the weight. The sampler kept just a 337-pixel bitmap of it; in 2026 we redrew it as vector.

  • Logo design

01The O is a lens

Read a name,
see a camera.

The camera is built from the fewest parts that still read as one: a top bar with a shutter button, a heavy lens barrel, two fine rings inside it, a glint and a pinpoint of light, a curved reflection, and a bottom bar that closes the body. One part fewer and it stops being a camera; one more and it drowns the name.

  1. Shutter button and top barA small rounded block on the left of the bar: the top of a camera at a glance.
  2. Glint and pinpointTwo dots, one large and one small, catch the light on the glass.
  3. Lens barrelThe heaviest ring — the weightiest shape in the mark.
  4. Bottom barAs long as the top bar; it closes the body and gives the O a floor.
  5. Two fine ringsTwo hairlines inside the barrel give the lens depth.
  6. Curved reflectionA round-ended arc at lower right, finished like the letter strokes.

02Linework

Fine lines,
one heavy lens.

S, I, M and N are single strokes of one weight with round ends. The bars are heavier and the lens heaviest of all, so the eye goes straight to the O. Like any round letter, the lens runs slightly above and below the capitals so that it looks the same height. “Studio” sits beneath on the right in a light sans.

  • 1 : 19Letter stroke to cap height
  • 1.75×Bars against the letter stroke
  • 4%Lens overshoot beyond the capitals
  • 2Fine rings inside the barrel

03From the archive

337 pixels wide,
now any size.

The sampler is the only place the mark survives, and there it is a small bitmap — 337 by 123 pixels, already soft at the size it was printed. We redrew it over an enlargement: every stroke, ring and bar measured and set as vector, “Studio” matched to Open Sans Light. Left of the line is the 2018 file; right of it, the 2026 drawing.

2018Bitmap · 337 × 123 px2026Vector
The original SIMON Studio bitmap kept in the 2018 logo sampler, 337 × 123 pixels
Detail · the lens between M and N, from the redrawn vector

04Versions

Dark or light,
large or small.

Redrawn, the mark can sit on any ground: graphite on light, reversed on dark, and the sampler’s grey kept as found. The row below tests size: at 320 pixels wide the two fine rings in the barrel are distinct; at 200 and below they merge into one, and the camera still reads.

Graphite · light ground#1F262B
Reversed · dark groundRings and glints knocked out to the ground
Sampler grey#949494 · as printed in the 2018 sampler
320 px
200 px
120 px
72 px
SIMON Studio · redrawn vector
Client
SIMON Studio
Year
2018 · redrawn 2026
Scope
Logo design

Source: page 2 of Day of Design’s logo sampler (PDF, October 2018), where the mark is printed in grey and embedded only as a 337 × 123 pixel bitmap; no standalone logo file, original colours, details of the client’s business or record of use survived. The 2026 vector is redrawn stroke by stroke over that bitmap — letters, bars and lens set at positions measured from an enlargement, “Studio” matched to Open Sans Light. The light and dark versions and the size row were made in 2026 from the redrawing. Two archive files named for a Simon Shen belong to a different, real-estate client and were not used. No photographs, mockups or AI imagery are used.